Lots of Past Programs
HTML version - under construction
|
|
|||||||||
January 2020 |
|
|||||||||
|
|
|||||||||
Four Austrian Part-Songs |
Franz Joseph Haydn |
|
||||||||
Die Harmonie in der Ehe |
(1732-1809) |
|
||||||||
An den Vetter |
|
|
||||||||
Der Greis |
|
|
||||||||
Die Beredsamkeit |
|
|
||||||||
|
|
|||||||||
French Chansons Old and New |
|
|
||||||||
Long temps mon cueur languissoit |
Pierre de Manchicourt |
|
||||||||
O cruaulté logée en grand beaulté |
(1510-1564) |
|
||||||||
Deux Chansons de Clément Marot |
Jean Langlais |
|
||||||||
Je suis aymé de la plus belle |
(1907-1991) |
|
||||||||
Aux damoyselles paresseuses d'escrire à leurs amys |
|
|
||||||||
|
|
|||||||||
Songs of Springtime |
E.J. Moeran |
|
||||||||
1. Under the Greenwood Tree (Shakespeare) |
(1894-1950) |
|
||||||||
2. The River-God's Song (John
Fletcher) |
|
|
||||||||
3. Spring, the Sweet Spring (Thomas Nashe) |
|
|
||||||||
4. Love is a Sickness (Samuel Daniel) |
|
|
||||||||
5. Sigh no More, Ladies (Shakespeare) |
|
|
||||||||
6. Good Wine (William Browne) |
|
|
||||||||
7. To Daffodils (Herrick) |
|
|
||||||||
|
|
|||||||||
Three Nonsense Songs of Edward Lear |
Mátyás Seiber |
|
||||||||
There was an old lady of France |
(1905-1960) |
|
||||||||
There was an old person of Cromer |
|
|
||||||||
There was an old man in a tree |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
|
||||||||||
|
|
|||||||||
William Byrd, Sacred and Secular |
William Byrd (1543-1623) |
|
||||||||
The Sweet and Merry Month of May Is Love a Boy? Sacerdotes Domini Mass for Four Voices: Sanctus and Benedictus |
|
|
||||||||
|
|
|||||||||
An American Master |
Samuel Barber (1910-1981) |
|
||||||||
Heaven-Haven To be Sung on the Water Let down the bars, O Death Sure on This Shining Night |
|
|
||||||||
|
|
|||||||||
Twentieth Century Folksong Arrangements |
|
|
||||||||
Drei Volkslieder, Op. 49 |
Arnold Schönberg (1874-1951) |
|
||||||||
Es gingen zwei Gespielen gut Der Mai tritt ein mit Freuden Mein Herz in steten Treuen |
|
|
||||||||
|
|
|||||||||
A Garland for the Queen |
|
|
||||||||
Silence and Music |
Ralph Vaughan Williams (1872-1958) |
|
||||||||
White-Flowering Days |
Gerald Finzi (1901-1956) |
|
||||||||
The Hills |
John Ireland (1879-1962) |
|
||||||||
|
|
|||||||||
Two Spirituals |
|
|
||||||||
Listen to the Lambs |
R. Nathaniel Dett (1882-1943) |
|
||||||||
Ain’-a That Good News! |
William L. Dawson (1899-1990) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2019 |
|
|||||||||
|
|
|||||||||
Three English Partsongs |
Edward Elgar (1857-1934) |
|
||||||||
Love, Op. 18, No. 2 Serenade, Op. 73, No. 2 Evening Scene |
|
|
||||||||
|
|
|||||||||
Cinq Chansons Françaises |
Georges Auric (1899-1983) |
|
||||||||
1. Pour un Chief-d'Oeuvre 2. Le Jour m'est Nuict 3. J'en ay le Dueil 4. C'est un grant Paine 5. Quant je me treuve |
|
|
||||||||
|
|
|||||||||
Chromatic Renaissance |
|
|
||||||||
O sonno Datemi pace From Prophetiae Sibyllarum Prologue: Carmina Chromatico XII. Sibylla Agrippa: Summus erit sub carne satus |
Cipriano de Rore (c. 1515-1565) Cipriano Orlando di Lasso (1532-1594) |
|
||||||||
|
|
|||||||||
Of the Ages |
Joshua Fishbein (b. 1984) |
|
||||||||
1. Youth and Age 2. Playgrounds 3. The Old Men Admiring Themselves in the Water |
|
|
||||||||
|
|
|||||||||
A Prep-School Boy |
Fishbein |
|
||||||||
|
|
|||||||||
“Old Joe Has Gone Fishing” from Peter Grimes |
Benjamin Britten (1913-1976) |
|
||||||||
|
|
|
||||||||
|
|
|||||||||
June 2018 |
|
|||||||||
|
|
|||||||||
Chansons, Lieder, and a Madrigal |
Orlando Di Lasso (1532-1594) |
|
||||||||
Fleur de quinze ans Quand mon mary vient Ich weiss mir ein Meidlein Wem soll man jetzund Matona, mia cara |
|
|
||||||||
|
|
|||||||||
Carols of Death |
William Schuman (1910-1992) |
|
||||||||
The Last Invocation The Unknown Region To All, To Each |
|
|
||||||||
|
|
|||||||||
from Deutsche Messe, D872 |
Franz Schubert (1797-1828) |
|
||||||||
Zum Gloria Zum Offertorium Zum Sanctus Zum Schlussgesang |
|
|
||||||||
|
|
|||||||||
Mátrai képek (Matra pictures) |
Zoltán Kodály (1882-1967) |
|
||||||||
1. A Vidrocki hires nyaja (The famous herd of Vidroczki) 2. Elmegyek (I'm leaving) 3. Madarka (Birdie) 4. Sej, a tari reten (In the meadow at Tar) 5. 2 tynkom tavalyi (2 hens, last year's) |
|
|
||||||||
|
|
|||||||||
Somewhere |
Leonard Bernstein (1918-1990) arr. William Stickles |
|
||||||||
|
|
|
||||||||
|
|
|||||||||
January 2018 |
|
|||||||||
|
|
|||||||||
Four Partsongs |
Charles Villiers Stanford (1852-1924) |
|
||||||||
What the Bee is to the Flow’ret, Op. 78, No. 2 It is Not the Tear, Op. 78, No. 5 Peace, Come Away The Morris Dance |
|
|
||||||||
|
|
|
||||||||
Three Nocturnes |
Carlos Chavez (1899-1978) |
|
||||||||
Sonnet to Sleep To the Moon So, we'll go no more a roving |
|
|
||||||||
|
|
|
||||||||
Music for the Magi |
|
|
||||||||
Los set gotxs recomptarem |
Llibre Vermell, 14th c. |
|
||||||||
Ibant Magi |
Francesco Guerrero (1529-1599) |
|
||||||||
Ab oriente venerunt magi |
Jacob Handl (1550-1591) |
|
||||||||
A un Niño Iorando |
Francesco Guerrero |
|
||||||||
|
|
|
||||||||
Music and Musicians of the Great War |
|
|
||||||||
Воскрес из гроба (“Risen from the Grave”), from All-Night Vigil, Op. 37 (1915) |
Sergei Rachmaninoff (1873-1943) |
|
||||||||
“The Lads in Their Hundreds” (1911-12) |
George Butterworth (1885-1916) |
|
||||||||
Trois beaux oiseaux du Paradis (1914) |
Maurice Ravel (1875-1937) |
|
||||||||
Valiant-for-Truth (1940) |
Ralph Vaughan Williams (1872-1958) |
|
||||||||
|
|
|
||||||||
Celebrating the Bernstein Centennial |
|
|
||||||||
Make Our Garden Grow |
Leonard Bernstein (1918-1990) (arr. Robert Page) |
|
||||||||
|
|
|
||||||||
|
|
|||||||||
June 2017 |
|
|||||||||
|
|
|||||||||
Baroque Opera Choruses |
Henry Purcell (1659-1695) |
|
||||||||
Banish Sorrow, Banish Care, from Dido and Aeneus If Love's a Sweet Passion, from The Fairy Queen Hush, No More, from The Fairy Queen Fairest Isle, from King Arthur |
|
|
||||||||
|
|
|
||||||||
Modern American Music |
|
|
||||||||
Heart Not So Heavy as Mine |
Elliott Carter (1908-2012) |
|
||||||||
Walking on the Green Grass |
Michael Hennagin (1936-1993) |
|
||||||||
Under the Greenwood Tree |
Hennagin |
|
||||||||
|
|
|
||||||||
German Motets |
|
|
||||||||
Ecce concipies |
Jacob Handl (1550-1591) |
|
||||||||
Sicut Moses serpentem in deserto exaltavit |
Heinrich Schütz (1585-1672) |
|
||||||||
Lobet den Herrn alle Heiden, BWV 230 |
J.S. Bach (1685-1750) |
|
||||||||
O Heiland, reiß die Himmel auf, Op. 74, No. 2 |
Johannes Brahms (1833-1897) |
|
||||||||
|
|
|
||||||||
Doo-Wop Madrigals |
|
|
||||||||
April is in my mistress’ face |
Thomas Morley (1557-1603) |
|
||||||||
Cool April |
arr. Gregg Smith (1931-2016) |
|
||||||||
Mon coeur se recommande a vous |
attrib. Orlando di Lasso (1532-1594) |
|
||||||||
My Heart is Longing for Your Love |
arr. Gregg Smith |
|
||||||||
|
|
|
||||||||
|
|
|||||||||
January 2017 |
|
|||||||||
|
|
|||||||||
English Renaissance Songs |
John Dowland (1563-1626) |
|
||||||||
Come Again! Sweet Love Doth Now Invite Come Away, Sweet Love Come, Heavy Sleep Now, O Now, I Needs Must Part |
|
|
||||||||
|
|
|
||||||||
Four Motets on Gregorian Themes |
Maurice Duruflé (1902-1986) |
|
||||||||
Ubi Caritas Tota Pulchra Es Tu Es Petrus Tantum Ergo |
|
|
||||||||
|
|
|
||||||||
Music of the Synagogue |
|
|
||||||||
Barechu Elohim Hashivenu Keter |
Salomone Rossi (ca. 1570-1630) |
|
||||||||
Yihyu Lerozon |
Ernest Bloch (1880-1959) |
|
||||||||
May the Words Of My Mouth |
Joshua Fishbein (b. 1984) |
|
||||||||
|
|
|
||||||||
French Choruses from The Lark |
Leonard Bernstein (1918-1990) |
|
||||||||
Spring Song Court Song Soldier’s Song |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2016 |
|
|||||||||
|
|
|||||||||
Italian Madrigals |
Luca Marenzio (1553-99) |
|
||||||||
Dissi a l'amata mia lucida stella Candido leggiadretto e caro guanto Zefiro torna e'l bel tempo rimena Nuova angioletta sovra l'ale accorte |
|
|
||||||||
|
|
|
||||||||
Living Composers |
|
|
||||||||
Alleluia |
Eric Whitacre (b. 1970) |
|
||||||||
With a Lily in Your Hand |
Whitacre |
|
||||||||
Solfeggio |
Arvo Pärt (b. 1935) |
|
||||||||
Nunc Dimittis |
Pärt |
|
||||||||
|
|
|
||||||||
German Part-Songs |
Robert Schumann (1810-1856) |
|
||||||||
Der Sänger, Op. 145, No. 3 Der Schmidt, Op. 145, No. 1 John Anderson, Op. 67, No. 5 Zahnweh, Op. 55, No. 2 Gute Nacht, Op. 59, No. 4 |
|
|
||||||||
|
|
|
||||||||
Three Shakespeare Settings |
Emma Lou Diemer (b. 1927) |
|
||||||||
O Mistress Mine, Where Are You Roaming? Take, O Take Those Lips Away Sigh No More, Ladies, Sigh No More |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2016 |
|
|||||||||
|
|
|||||||||
Four French Chansons |
|
|
||||||||
Tant que vivrai |
Claudin de Sermisy (1490-1562) |
|
||||||||
Au joli bois |
Sermisy |
|
||||||||
Nous voyons que les hommes |
Guillaume Costeley (1530-1606) |
|
||||||||
Quand le berger vit la bergère |
Costeley |
|
||||||||
|
|
|
||||||||
Four Madrigals by Sir Thomas Wyatt |
Thea Musgrave (b. 1928) |
|
||||||||
With serving still Tanglid I was in Love’s snare At most mischief Hate whom ye list |
|
|
||||||||
|
|
|
||||||||
Choral dances from Gloriana (1954) |
Benjamin Britten (1913-1976) |
|
||||||||
1. Time 2. Concord “Concord is here” 3. Time and Concord “From springs of bounty” 4. Country girls 5. Rustics and fishermen 6. Final dance of homage |
|
|
||||||||
|
|
|||||||||
From Six Choral Folk Songs Op. 36b (1916) |
Gustav Holst (1874-1934) |
|
||||||||
Matthew, Mark, Luke and John The Song of the Blacksmith Swansea Town |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2015 |
|
|||||||||
|
|
|||||||||
Settings of Robert Herrick texts |
|
|
||||||||
Charm Me Asleep (1903) |
John Blackwood McEwen (1868-1948) |
|
||||||||
Cupid, Op. 7, No. 1 (c. 1905) |
Roger Quilter (1877-1953) |
|
||||||||
To Daffodils (1906) |
Harold Darke (1888-1976) |
|
||||||||
To Music (1920) |
Sir George Dyson (1883-1964) |
|
||||||||
|
|
|||||||||
Two Motets |
|
|
||||||||
Sei Lob und Preis mit Ehren, BWV 231 |
J.S. Bach (1685-1750) |
|
||||||||
Es ist das Heil uns kommen her, Op. 29, No. 1 |
Johannes Brahms (1833-1897) |
|
||||||||
|
|
|||||||||
Iberian Villancicos |
|
|
||||||||
Es nascido |
Pedro de Cristo (c. 1545-1618) |
|
||||||||
Niño dios d'amor herido |
Francesco Guerrero (1528-1599) |
|
||||||||
|
|
|||||||||
Marking the Close of the Civil War Sesquicentennial |
|
|||||||||
The Mask of Cain 1. The Portent 2. Youth is a Time When Hearts are Large 3. Shiloh |
Robert Evett (1922-1975) |
|
||||||||
|
|
|||||||||
Musical Riddles |
|
|
||||||||
Riddle Me This The Snow The Egg The Cow |
William Bergsma (1921-1994) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2015 |
|
|||||||||
|
|
|||||||||
Selections from Chansons Françaises |
Francis Poulenc (1899-1963) |
|
||||||||
Margoton va t'a l'iau La belle se sied au pied de la tour Pilons l'orge Ah! Mon beau laboureur Les tisserands |
|
|
||||||||
|
|
|||||||||
Ukvalské písně (Hukvaldy Songs) |
Leoš Janáček (1854-1928) |
|
||||||||
Ondraš, Ondraš! Ty ukvalsky kosteličku! Na tych fojtovych łukach Ty ukvalsky kosteličku, hej! Pan Buh vam zapłať! Fojtova Hanka |
|
|
||||||||
|
|
|||||||||
De profundis clamavi |
Josquin Des Prez (c. 1450-1521) |
|
||||||||
Hear the Voice and Prayer |
Thomas Tallis (c. 1505-1585) |
|
||||||||
Quam pulchri sunt |
Giovanni Pierluigi da Palestrina (c. 1525-1594) |
|
||||||||
Pueri Hebraeorum |
Tomás Luis de Victoria (c. 1549-1611) |
|
||||||||
|
|
|||||||||
A Hymn to Christ |
Steven Beck (b. 1953) |
|
||||||||
Coney Island |
Rich Campbell (b. 1957) |
|
||||||||
Geographical Fugue |
Ernst Toch (1887-1964) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2014 |
|
|||||||||
|
|
|||||||||
Nun fanget an |
Hans Leo Hassler (1564-1612) |
|
||||||||
|
|
|||||||||
Three Eastern Liturgical Settings |
|
|
||||||||
Ave Maria |
Igor Stravinsky (1882-1971) |
|
||||||||
Bogoroditse Dyevo |
Arvo Pärt (b. 1935) |
|
||||||||
Bogoroditze Dievo, Op. 27 No. 6 |
Sergei Rachmaninoff (1873-1943) |
|
||||||||
|
|
|||||||||
Music from Latin America |
|
|
||||||||
Dios Itlazonantzine |
Anonymous (circa 1580) |
|
||||||||
Sancta Mariae (in Ilhuicac) |
Anon. |
|
||||||||
Nonantsin |
Carlos Chavez (1899-1978) |
|
||||||||
A Woman is a Worthy Thing |
Chavez |
|
||||||||
|
|
|||||||||
Three British Part-songs |
|
|
||||||||
Quick, We Have but a Second |
C.V. Stanford (1852-1924) |
|
||||||||
This Have I Done for My True Love, Op. 34, No. 1 |
Gustav Holst (1874-1934) |
|
||||||||
Bring us in Good Ale |
Holst |
|
||||||||
|
|
|||||||||
Celebrating Shakespeare’s 450th Anniversary |
|
|
||||||||
Four Shakespeare Songs |
Knud Jeppesen (1892-1974) |
|
||||||||
Blow, Blow, Thou Winter Wind Winter Spring Under the Greenwood Tree |
|
|
||||||||
Two Shakespeare Songs |
Matthew Harris (b. 1956) |
|
||||||||
It Was a Lover and His Lass Sigh No More, Ladies |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2014 |
|
|||||||||
|
|
|||||||||
Madrigals from Renaissance Italy |
|
|
||||||||
Bacco, Bacco |
Mattio Rampollini (c. 1497 - c. 1553)/ Francesco Corteccia 1502-1571) |
|
||||||||
Al turbar de' bei lumi |
Vittoria Aleotti (c. 1575-after 1620) |
|
||||||||
El Grillo |
Josquin des Prez (c. 1450-1521) |
|
||||||||
|
|
|||||||||
German Lieder and Beyond |
|
|
||||||||
Der bucklichte Fiedler, Op. 93a, No. 1 |
Johannes Brahms (1833-1897) |
|
||||||||
Im Herbst, Op. 104, No. 6 |
Brahms |
|
||||||||
Rhapsodie, Op. 186, No. 5 |
Josef Rheinberger (1839-1901) |
|
||||||||
Prayer for a Pilot |
Paul Hindemith (1895-1963) |
|
||||||||
Young and Old |
Hindemith |
|
||||||||
|
|
|||||||||
Philosophical Anecdotes |
Rick Sowash (b. 1950) |
|
||||||||
I. The Philosopher II. The Search III. The Country Fair |
|
|
||||||||
|
|
|||||||||
Music from Early America |
|
|
||||||||
Thus Saith the High, the Lofty One |
William Billings (1746-1800) |
|
||||||||
|
|
|||||||||
Pilgrims and Puritans |
|
|
||||||||
Psalm 23, Low Dutch Tune Psalm 4, Oxford Tune Psalm 73, York Tune |
Bay Psalm Book, 1698 |
|
||||||||
|
|
|||||||||
Yankee Tunesmiths |
|
|
||||||||
Montgomery |
Justin Morgan (1747-1798) |
|
||||||||
Chester |
William Billings |
|
||||||||
|
|
|||||||||
Shaker tunes |
|
|
||||||||
A Time to Sing, A Time to Dance |
|
|
||||||||
Come Life, Shaker Life |
Issachar Bates (1758-1837) |
|
||||||||
Simple Gifts |
Joseph Brackett (1797-1892) |
|
||||||||
O Brethren, Ain’t You Happy? |
|
|
||||||||
|
|
|||||||||
Southern Harmony and The Sacred Harp |
|
|
||||||||
New Britain (Amazing Grace) Promised Land |
|
|
||||||||
|
|
|||||||||
Commemorating the Centenary of the Composer’s Birth, November 22, 1913 |
|
|||||||||
“Old Joe Has Gone Fishing” from Peter Grimes |
Benjamin Britten (1913-1976) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2013 |
|
|||||||||
|
|
|||||||||
Four Madrigals |
John Wilbye (1574-1638) |
|
||||||||
Adieu, sweet Amaryllis Happy, O happy he Of joys and pleasing pains My throat is sore |
|
|
||||||||
|
|
|||||||||
Five Choruses |
Josef Rheinberger (1839-1901) |
|
||||||||
Gewitter Abend am Meer Die Wolken Rhapsodie Nordwind |
|
|
||||||||
|
|
|||||||||
A Summer Garland |
Alan Bullard (b. 1947) |
|
||||||||
May, queen of blossoms The rose in June Busy fly July evening Summer queen |
|
|
||||||||
|
|
|||||||||
Four Latin American Choruses |
|
|
||||||||
Se equivocó la paloma |
Carlos Guastavino (1912-2000) |
|
||||||||
Cuando tú no estás |
Carlos Gardel (1890-1935)/ Liliana Cangiano (1950-1997) |
|
||||||||
Lua, lua, lua |
Esther Scliar (1926-1978) |
|
||||||||
Carpuela lindo |
Milton Tadeo Carcelén (1956-2009)/ Eugenio Auz Sánchez (b. 1958) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2013 |
|
|||||||||
|
|
|||||||||
Three Choruses |
Paul Ayres (b. 1970) |
|
||||||||
Arriston men hudor We are anhungered Strengthen for service |
|
|
||||||||
|
|
|||||||||
Selected Choruses |
Ludwig Senfl (c. 1486 – c. 1542) |
|
||||||||
Elslein, liebes Elselein mein Es taget vor dem Walde Elslein liebes Elselein mein/Es taget vor dem Walde Man sing, man sag Non moriar Quis dabit oculis nostris |
|
|
||||||||
|
|
|||||||||
Four Choruses |
Frank Bridge (1879-1941) |
|
||||||||
Autumn Music, when soft voices die O weary hearts! The Bee |
|
|
||||||||
|
|
|||||||||
Spirituals |
Harry Thacker Burleigh (1866-1949) |
|
||||||||
I’ve been in the storm so long O Lord, have mercy on me Dig my grave long and narrow Didn’t my Lord deliver Daniel? |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2012 |
|
|||||||||
|
|
|||||||||
Jocular Trios |
|
|
||||||||
Punch |
Thomas Arne (1710-1778) |
|
||||||||
The Mayfly |
John Wall Callcott (1766-1821) |
|
||||||||
Two Lawyers |
Benjamin Cuzens (late 18th Century) |
|
||||||||
Life’s a Bumper |
Richard Wainwright (1757-1825) |
|
||||||||
|
|
|||||||||
Selected Victorian Choruses |
Charles Hubert Hastings Parry (1848-1918) |
|
||||||||
Music, when soft voices die I know my soul hath power to know all things How sweet the answer There rolls the deep Come, pretty wag, and sing |
|
|
||||||||
|
|
|||||||||
Petites Voix |
Francis Poulenc (1899-1963) |
|
||||||||
La Petite Fille Sage Le Chien Perdu En Rentrant de l’École Le Petit Garçon Malade Le Herisson |
|
|
||||||||
|
|
|||||||||
Italian Madrigals |
|
|
||||||||
Erasi al sole il mio bel sole assiso |
Costanzo Porta (1529-1601) |
|
||||||||
Di marmo siete voi |
Marco da Gagliano (1582-1643) |
|
||||||||
Fummo felici un tempo |
Orazio Vecchi (1550-1605) |
|
||||||||
Verament’in amore |
Filippo di Monte (1521-1603) |
|
||||||||
Quand’io ero giovinetta |
Giovanni Gabrieli (c. 1554-1612) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2012 |
|
|||||||||
|
|
|||||||||
Selected Choruses |
Josef Rheinberger (1839-1901) |
|
||||||||
Willkommen Erstes Wanderlied Nachtgesang Im stillen Grunde Die Sonn is unter Der Strom Abendlied |
|
|
||||||||
|
|
|||||||||
Selected Choruses |
Darius Milhaud (1892-1974) |
|
||||||||
Et le bonheur La barque funéraire Bois cette tasse de tenebres |
|
|
||||||||
|
|
|||||||||
Grechesche Madrigali |
|
|
||||||||
Seconda apparition del cagnolo del mese de Agosto |
Adrian Willaert (1490-1562) |
|
||||||||
Chel bello Epithimia |
Giaches de Wert (1535-1596) |
|
||||||||
Donna curtese e bella |
Pietro Taglia (fl. 1555-1565) |
|
||||||||
Amur se mi tel dao |
Francesco Bonardo (dates unknown) |
|
||||||||
|
|
|||||||||
Living British Composers |
|
|
||||||||
A Ship with Unfurled Sails |
Gabriel Jackson (b. 1962) |
|
||||||||
Song (I gaze upon you) |
Gabriel Jackson |
|
||||||||
The Wine of Love |
Richard G. Grylls (?-) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2011 |
|
|||||||||
|
|
|||||||||
Aftonen |
Hugo Alfvén (1872-1960) |
|
||||||||
Le Brick |
Darius Milhaud (1892-1974) |
|
||||||||
Meine Schwester, liebe Braut |
Melchior Franck (c. 1579-1639) |
|
||||||||
|
|
|||||||||
A la mu han |
Shui-Long Ma (b. 1939) |
|
||||||||
Nature |
Mario Castelnuovo-Tedesco (1895-1968) |
|
||||||||
Zwischen perg und tieffem tal |
Heinrich Isaac (c. 1450-1517) |
|
||||||||
|
|
|||||||||
Selig sind die Toten |
Heinrich Schütz (1585-1672) |
|
||||||||
Solovushko (The Nighingale) |
Pyotr Ilyich Tchaikovsky (1840-1893) |
|
||||||||
Kállai kettős |
György Ligeti (1923-2006) |
|
||||||||
|
|
|||||||||
The Brook |
Edward MacDowell (1860-1908) |
|
||||||||
Were you there? |
Harry Thacker Burleigh (1866-1949) |
|
||||||||
Yaa’leh |
Jacob Beimel (1875-1944) |
|
||||||||
Timor et tremor |
Orlandus Lassus (c. 1532-1594) |
|
||||||||
|
|
|||||||||
O fugace, o superba |
Sigismondo d’India (c. 1582-1629) |
|
||||||||
Love bears all things |
Paul Moravec (b. 1957) |
|
||||||||
The Greenwood |
Amy Beach (1867-1944) |
|
||||||||
Salseo |
Oscar Galián (b. 1960) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2011 |
|
|||||||||
|
|
|||||||||
Double Chorus Works |
Michael Praetorius (1571-1621) |
|
||||||||
Aus tiefer Not Verleih uns Fried |
|
|
||||||||
|
|
|||||||||
18th-Century British Glees |
|
|
||||||||
In cool grot |
Garret Colley Wellesley (1735-1781) |
|
||||||||
Take, O take those lips away |
James Elliott (1783-1856) |
|
||||||||
Ye spotted snakes |
Richard John Samuel Stevens (1757-1837) |
|
||||||||
The nightingale |
John Danby (1757-1798) |
|
||||||||
Ring out, ye crystal spheres |
William Crotch (1775-1847) |
|
||||||||
|
|
|||||||||
Three Selections from Missa de requiem (1925) |
Henrique Oswald (1852-1931) |
|
||||||||
|
|
|||||||||
Choruses from West and South Africa |
|
|
||||||||
Agoro yede (Ghana) Aluwa sio (Benin) Anigye aba’o (Ghana) Kayra sillo (Mandingo – Senegal, Guinea, Mali) Dubula (!Xhosa – South Africa) |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2010 |
|
|||||||||
|
|
|||||||||
Two Choruses |
James MacMillan (b. 1959) |
|
||||||||
To My Successor The Gallant Weaver |
|
|
||||||||
|
|
|||||||||
Five Choruses |
Sergei Taneyev (1856-1915) |
|
||||||||
Vyecher (Evening) Sosna (The Pinetree) Posmotri kakaya mgla (Look, what a mist) Serenada (Lullaby) Al'py (The Alps) |
|
|
||||||||
|
|
|||||||||
A Royal Dilettante and His Court Composer |
|
|
||||||||
Pastime with good company |
Henry VIII (1491-1547) |
|
||||||||
Ah Robin, gentle Robin |
William Cornish (1465-1523) |
|
||||||||
Adieu Madame et ma maistresse |
Henry VIII |
|
||||||||
Adieu mes amours |
Cornish |
|
||||||||
Gentil Prince de renom |
Henry VIII |
|
||||||||
|
|
|||||||||
Selections from Indianas |
Carlos Guastavino (1912-2000) |
|
||||||||
Gala del día Quién fuera como el jazmín Al tribunal de tu pecho Viento norte |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2010 |
|
|||||||||
|
|
|||||||||
Flemish and Dutch Renaissance Liedekin |
|
|
||||||||
O wrede fortune ghy doet my trueren nu |
Tielman Susato (c. 1510 – c. 1570) |
|
||||||||
Janne moye, al claer! |
Lupus Hellinc (c. 1493 – c. 1541) |
|
||||||||
Eylaes, eylaes, myn vreucht is al verjaegt |
Anonymous |
|
||||||||
Het clopten een vrouken |
Anonymous |
|
||||||||
Compt alle uut by twe by drye |
Lupus Hellinc |
|
||||||||
Een Venus schoon |
Clemens non Papa (c. 1510 – c. 1556) |
|
||||||||
|
|
|||||||||
Transcendent Love Songs (1982) |
Paul Moravec (b. 1957) |
|
||||||||
Set Me as a Seal Love Bears All Things The Flowers Appear on the Earth Greater Love |
|
|
||||||||
|
|
|||||||||
Contrasting Contemporaries: Rossini and Loewe |
|
|
||||||||
Toast pour le nouvel an |
Gioacchino Rossini (1792-1868) |
|
||||||||
Im Vorubergehn |
Carl Loewe (1796-1869) |
|
||||||||
Schaffe in mir, Gott, ein reines Herze |
Loewe |
|
||||||||
In der Marienkirche |
Loewe |
|
||||||||
Quando corpus morietur (from Stabat Mater) |
Rossini |
|
||||||||
|
|
|||||||||
Trois Chansons (1908-1910) |
Claude Debussy (1796-1869) |
|
||||||||
Dieu! qu’il a fait bon regarder! Quant j’ai ouy le tabourin Yver, vous n’estes qu’un villain |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2009 |
|
|||||||||
|
|
|||||||||
13th-Century French Motets |
|
|
||||||||
Cil s’entremet/Nus hom/Victimae paschali |
Anon. (c. 1250) |
|
||||||||
Psallat chorus/Eximie pater/Aptatur |
Franco of Cologne? (c. 1250) |
|
||||||||
Pange melos lacrimosum |
Anon. (c. 1200) |
|
||||||||
Hypocrite, pseudopontifices/Velut stellae/Et gaudebit |
Anon. (c. 1210) |
|
||||||||
|
|
|||||||||
Der Abend, Op.34, Nr. 1 |
Richard Strauss (1864-1949) |
|
||||||||
|
|
|||||||||
Two Sacred Choruses |
Giuseppe Verdi (1813-1901) |
|
||||||||
Ave Maria (on the Enigmatic scale) Padre Nostro |
|
|
||||||||
|
|
|||||||||
Western Songs |
Libby Larsen (b. 1950) |
|
||||||||
Buffalo Gals Green Grow the Lilacs The Ol’ Chisholm Trail |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2009 |
|
|||||||||
|
|
|||||||||
Vinamintra Elitavi |
Thomas Jennefelt (b. 1954) |
|
||||||||
|
|
|||||||||
Six Sacred Choruses |
Hugo Wolf (1860-1903) (Texts by Joseph von Eichendorff) |
|
||||||||
Aufblick Einklang Resignation Letzte Bitte Ergebung Ehrebung |
|
|
||||||||
|
|
|||||||||
19th-Century Jewish Liturgical Music |
|
|
||||||||
Adon olam |
Wilhelm Würfel (1791-1832) |
|
||||||||
Psalm 92, v. 2 – 10 |
Franz Schubert (1797-1828) |
|
||||||||
|
|
|||||||||
Madrigals |
Sigismondo d’India (c. 1582-1629) |
|
||||||||
Cor mio, deh non languire Crud’Amarilli Quasi tra rose e gigli Filli, mirando il cielo |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2008 |
|
|||||||||
|
|
|||||||||
Four Choruses |
Claude Le Jeune (c. 1628-1600) |
|
||||||||
J’aime la pierre précieuse |
|
|
||||||||
Le feu, l’air, l’eau, la terre |
|
|
||||||||
Le beau du monde s’éfface |
|
|
||||||||
Revoici venir du printemps |
|
|
||||||||
|
|
|||||||||
Pastoral Choruses |
Gerald Finzi (1901-1956) |
|
||||||||
Haste on, my joys! |
|
|
||||||||
I praise the tender flower |
|
|
||||||||
My spirit sang all day |
|
|
||||||||
|
|
|||||||||
Folksong Settings |
Ralph Vaughan Williams (1872-1958) |
|
||||||||
Ca’ the yowes |
|
|
||||||||
An acre of land |
|
|
||||||||
The turtledove |
|
|
||||||||
Just as the tide was flowing |
|
|
||||||||
|
|
|||||||||
Motets from Geistliche Chormusik (1648) |
Heinrich Schütz (1585-1672) |
|
||||||||
Das Wort ward Fleisch |
|
|
||||||||
Ich bin eine rufende Stimme |
|
|
||||||||
Sammelt zuvor das Unkraut |
|
|
||||||||
Herr, auf dich traue ich |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2008 |
|
|||||||||
|
|
|||||||||
Three Songs on Poems of Wilfred Owen |
Stephen Paulus (b. 1949) |
|
||||||||
Nocturne Song of Songs Winter Song |
|
|
||||||||
|
|
|||||||||
Sacred Motets |
Salamone Rossi (1570-1630) |
|
||||||||
Shir hamma’alot, beshuv Adonai Odekha ki’anitani Barukh haba beshem adonai Haleluyah, ashrei ish yare et adonai |
|
|
||||||||
|
|
|||||||||
Strophic Choruses |
Max Bruch (1838-1920) |
|
||||||||
Musicaklang Weit, weit aus ferner Zeit Lenz, komm herbei! Ackeley Der Mutter Klage Der fröhliche Musicus |
|
|
||||||||
|
|
|||||||||
Contemporary Latin American Choruses |
|
|
||||||||
Para peneirar |
Esther Scliar (1926-1978) |
|
||||||||
Lua, lua, lua |
Esther Scliar |
|
||||||||
Salseo |
Oscar Galian (b. 1960) |
|
||||||||
Mata del anima sola |
Antonio Estévez (1916-1988) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2007 |
|
|||||||||
|
|
|||||||||
Four Choruses |
Charles Gounod (1818-1893) |
|
||||||||
D’un coeur qui t’aime Ave verum Le crucifix Prière du soir |
|
|
||||||||
|
|
|||||||||
Four Madrigals |
Thea Musgrave (b. 1928) |
|
||||||||
With serving still Tanglid I was in Love’s snare At most mischief Hate whom ye list |
|
|
||||||||
|
|
|||||||||
Three choruses |
Heitor Villa-Lobos (1887-1959) |
|
||||||||
Prelude from Bachianas Brasileiras #9 Duas Lendas Amerindias em Nheengatu Iurupari e o Menino Iurupari e o Caçador |
|
|
||||||||
|
|
|||||||||
Four English Madrigals |
|
|
||||||||
O Care, thou wilt despatch me |
Thomas Weekles (1576-1623) |
|
||||||||
I love, alas, I love thee |
Thomas Morley (1557-1602) |
|
||||||||
Leave, alas, this tormenting |
Morley |
|
||||||||
Oyez! Has any found a lad? |
Thomas Tomkins (1572-1656) |
|
||||||||
|
|
|||||||||
|
|
|||||||||
January 2007 |
|
|||||||||
|
|
|||||||||
Madrigals from Book VII |
Giaches de Wert (1535-1596) |
|
||||||||
Sorgi e rischiara Giunto alla tomba Vaghi boschetti |
|
|
||||||||
|
|
|||||||||
Five Songs, Opus 104 |
Johannes Brahms (1833-1897) |
|
||||||||
Nachtwache #1 Nachtwache #2 Letztes Glück Verlorene Jugend Im Herbst |
|
|
||||||||
|
|
|||||||||
Six Chansons |
Paul Hindemith (1895-1963) |
|
||||||||
La Biche Un Cygne Puisque Tout Passe Printemps En Hiver Verger |
|
|
||||||||
|
|
|||||||||
Five Settings of Robert Herrick |
John Clements (1900-1970) |
|
||||||||
To Blossoms An Hymne to Love His Covenant, or Protestation to Julia To Keep a True Lent The White Island |
|
|
||||||||
|
|
|||||||||
|
|
|||||||||
June 2006 |
||||||||||
|
||||||||||
Nichts ohne Liebe So weich und warm Aetherische Geisterstimmen Der Fichtenbaum Die Sternlein |
Peter
Cornelius (1824-1874) |
|||||||||
|
|
|||||||||
Faute d'argent (in C) Mille regretz Parfons regretz (in A) Tu pauperum refugium Petite camusette |
Josquin
des Prez (c. 1450-1521) |
|||||||||
|
|
|||||||||
The Wind and the Day Too soon so fair, fair lilies Scythe Song |
Arthur
Foote (1853-1937) |
|||||||||
|
|
|||||||||
Inaktelki nóták Haj, ifjuság! Kállai kettős |
György Ligeti (1923-2006) |
|||||||||
|
|
|||||||||
Come to where my love lies dreaming [encore?] |
Stephen
Foster (1826-1864) |
|||||||||
|
||||||||||
|
||||||||||
January 2006 |
||||||||||
|
||||||||||
Meine Schwester, liebe Braut Ich sucht des Nachts
in meinem Bette Fahet uns die Füchse Du bist aller
Dinge schön, meine Freundin |
Melchior
Franck (c. 1579-1639) |
|||||||||
|
|
|||||||||
Der Tanz Hymne
an den Unendlichen Des Tages Weihe Gott der Weltschöpfer Lebenslust Schicksalslenker |
Franz
Schubert (1797-1828) |
|||||||||
|
|
|||||||||
Villarosa Sarialdi |
Thomas
Jennefelt (b. 1954) |
|||||||||
|
|
|||||||||
The Blind Man Stood on the Road and Cried Walk together children Steal away You gonna reap just what you sow Deep River Hold on |
Harry
Thacker Burleigh (1866-1949) |
|||||||||
|
|
|||||||||
Oh, Freedom [encore] |
Hall
Johnson (1888-1970) |
|||||||||
|
||||||||||
|
||||||||||
June 2005 |
||||||||||
|
||||||||||
Solo e pensoso Ove sei, vita mia Timor et tremor Baur, baur, was tregst
in Sacke? Cri de detresse |
Orlando
Lasso (1532-1594) |
|||||||||
|
|
|||||||||
Napadly písně Večerní
les rozvázal zvonky Žitné
pole Vyběhla bříza běličká Dnes
do skoku a do písničky |
Antonin
Dvorak
(1841-1904) |
|||||||||
|
|
|||||||||
Thou hast made me endless Here is thy footstool Where the mind is without fear |
Paul
Creston (1906-1985) |
|||||||||
|
|
|||||||||
Su, su,
su, non piu dormir |
Giovanni
Ferretti (c. 1540-after 1609) |
|||||||||
Cara mia Dafne |
Lelio Bertani (1554-1624) |
|||||||||
Ecco, o mia dolce pena |
Pomponio Nenna
(1556-1608) |
|||||||||
O dolorosa sorte |
Benedetto
Pallavicino (c. 1551-1601) |
|||||||||
|
|
|||||||||
Who shall have my lady fair? [encore] |
Robert
Pearsall |
|||||||||
|
||||||||||
|
||||||||||
January 2005 |
||||||||||
|
||||||||||
Le feu, l’air, l’eau,
la terre Y a t’il rien
si fort? Le beau du monde Quel monstre! [ L’eau va vite en s’écoulant ] |
Claude
Le Jeune (c. 1628-1600) |
|||||||||
|
|
|||||||||
Fürchte
dich nicht |
J.S.
Bach (1685-1750) |
|||||||||
|
|
|||||||||
La Guitarra (w/ guitar) Puñal Memento Baile Crótalo |
Mario
Castelnuovo-Tedesco (1895-1968) |
|||||||||
|
|
|||||||||
Music, all powerful |
Thomas
Walmisley (1814-1856) |
|||||||||
There rolls the deep |
C.
Hubert Parry (1848-1918) |
|||||||||
List! for the breeze |
John
Goss (1800–1880) |
|||||||||
Music, when soft voices die |
Parry |
|||||||||
Who shall have my lady fair? |
Robert
Pearsall (1795–1856) |
|||||||||
|
|
|||||||||
My spirit sang all day [encore] |
Gerald Finzi |
|||||||||
|
||||||||||
|
||||||||||
June 2004 |
||||||||||
|
||||||||||
Madrigals from Books I and III |
Sigismondo d’India (c. 1582-1629) |
|||||||||
Dove, ah dove t’en vai? Dovrò dunque morire Ma con chi parl’ahi, lassa? Pur venisti, cor mio Ha di serp’il velen |
|
|||||||||
|
||||||||||
Epitaph for Moonlight |
R. Murray Schafer (b. 1933) |
|||||||||
|
||||||||||
Selections from “Sacred and Profane” |
Benjamin Britten (1913-1976) |
|||||||||
Saint Godric’s Hymn I mon waxe wod The long night Carol |
|
|||||||||
|
||||||||||
Parlor Songs |
|
|||||||||
Killarney |
M. W. Balfe (1808-1870) |
|||||||||
Madame Jeannette |
Alan Murray (1890-1952) |
|||||||||
Sing, Smile, Slumber |
Charles Gounod (1818-1893) |
|||||||||
O, Weary Feet |
Alfred Beirly (1848-1929) |
|||||||||
The Blue Alsatian Mountains |
Stephen Adams (1841-1913) |
|||||||||
|
||||||||||
|
||||||||||
January 2004 |
|
|
|
Latvian Songs |
|
Kas tie tadi, kas dziedaja? |
Jekabs Graubins
(1886-1961) |
Rozes |
Ädolfs Äbele (1889-1967) |
Vai bus laime? |
Äbele |
Silmala Triceja |
Graubins |
Aiz upites meitas dzied |
Äbele |
|
|
Ecce quam bonum Ecce
Dominus veniet |
Hieronymus Praetorius
(1560-1629) |
|
|
Le jour m'est nuict J'en ay le dueil C'est grant paine |
Georges Auric (1899-1983) |
|
|
Let down
the bars, O Death Heaven-Haven Mary Hines To be Sung
on the Water |
Samuel Barber (1910-1981) |
|
|
Psalm 100 –
Jauchzet dem Herrn alle Welt Psalm 43 – Richte mich, Gott |
Felix Mendelssohn (1809-1847) |
|
|
Londonderry
Air [encore] |
Percy Grainger (1882-1961) |
|
|
|
|
June 2003 |
|
|
|
Zion hört die Wächter singen |
J. C. F. Bach (1732-1795) |
|
|
On Saints’
days in Chigisakh Ovsen The Pike Master
Portly |
Igor Stravinsky (1882-1971) |
|
|
The May-fly |
John W. Callcott
(1766-1821) |
The captive
lover |
Henry Lawes (1595-1662) |
Amo, amas,
I love a lass |
anon. |
|
|
See, see
the shepherds’ queen |
Thomas Tomkins (1572-1656) |
See what a
maze of error |
George Kirbye
(1565-1634) |
Poor is the
life |
Michael East (1580-1648) |
Too much I
once lamented |
Tomkins |
|
|
June Shena Van The year’s at the spring [ The Greenwood ] |
Amy Beach (1867-1944) |
|
|
Calon Lan [encore] |
John Hughes (1872–1914) |
|
|
|
|
January 2003 |
|
|
|
Four Pastorales |
Cecil Effinger (1914-1990) |
No Mark Noon Basket Wood |
|
|
|
Vezzosi augelli Forsennata gridava Mia benigna fortuna [ Che salirà per me ] |
Giaches de Wert (1535-1596) |
|
|
Mu ge (Pastoral song) |
Xi Xiang Qu |
A la mu han |
Shui-Long Ma |
Shan hai huan chang |
Chun-rong Zhuang |
|
|
Ave Maria Locus iste Os justi Christus factus est Virga Jesse |
Anton Bruckner (1824-1896) |
|
|
Concord [encore] |
Britten |
|
|
|
|
June 2002 |
|
|
|
My gentle
harp Come o’er
the sea How dear to
me the hour Lay his
sword by his side |
Charles Villiers Stanford (1852-1924) |
|
|
Itene, o miei sospiri Dolcissima mia vita “Mercè,” grido piangendo |
Carlo Gesualdo (1566-1613) |
|
|
At the
grave Night in
Venice The stars |
Serguei Taneyev
(1856-1915) |
|
|
Simple
Gifts I bought me
a cat At the
river Ching-a-ring
chaw |
Aaron Copland (1900-1990) |
|
|
Nature [encore] |
Mario
Castelnuovo-Tedesco |
|
|
|
|
January 2002 |
|
|
|
Tröstet, tröstet mein Volk Selig sind die Toten So fahr ich hin zu Jesu Christ Unser keiner lebet ihm selber Das ist je gewißlich wahr |
Heinrich Schütz (1585-1672) |
|
|
Nature Rossignol |
Mario Castelnuovo-Tedesco
(1895-1968) |
|
|
Battaglia
(part 1) |
Andrea Gabrieli
(1533-1585) |
Battaglia
(part 2) |
Andrea Gabrieli |
O Magnum Mysterium |
Giovanni Gabrieli (c.
1554-1612) |
Feritevi, ferite |
Heinrich Schütz |
|
|
Swedish Songs |
|
Aftonen |
Hugo Alfvén (1872-1960) |
När den sköna Maj med sippor kommit |
August Söderman
(1832-1876) |
Det första vårregnet |
Hildor Lundvik
(1885-1951) |
Dalvisa |
Alfvén |
Och jungfrun hon går i ringen |
Alfvén |
|
|
Sweet and
Low [encore] |
Joseph Barnby
(1838-1896) |
|
|
|
|
June 2001 |
|
|
|
Deh! Chi mi fa languire Dove, dove
son io? O fugace, o superba Perché non mi mirate? Ardemmo insieme |
Sigismondo d’India (c.
1582-1629) |
|
|
Gebet (Prayer) |
Franz Schubert (1797-1828) |
|
|
Solovusho (The nightingale) Ne kukushechka vo syidom bogu |
Pyotr Tchaikovsky (1840-1893) |
|
|
Flower
Songs – To daffodils The
succession of four sweet months March
flowers The evening
primrose Green broom |
Benjamin Britten (1913-1976) |
|
|
Swansea Town [encore] |
Gustav Holst |
|
|
|
|
January 2001 |
|
|
|
Bach’s Uncles |
|
Fürchte dich nicht |
Johann Christoph Bach (1642-1703) |
Halt, was du hast |
Johann Michael Bach (1648-1694) |
Das ist meine Freude |
Johann Ludwig Bach (1677-1731) |
|
|
Calme des nuits Les fleurs
et les arbres |
Camille Saint-Saëns (1835-1921) |
|
|
Awakening |
Stephen Paulus (b. 1949) |
I. Luminous Mind II. The Sage III. Loving-Kindness IV. Virtue V. All Living Beings |
|
|
|
As Torrents
in Summer Feasting I
Watch Weary Wind
of the West O Wild West
Wind |
Edward Elgar (1857-1934) |
|
|
O Happy
Eyes [encore] |
Elgar |
|
|
|
|
June 2000 |
|
|
|
Awake,
sweet love Weep you no
more, sad fountains Now, O now,
I needs must part |
John Dowland (1563-1626) |
|
|
La reine de Saba A peine défigurée Belle et ressemblante Marie |
François Poulenc (1899-1963) |
|
|
Der Falke Waldesnacht All meine Herzgedanken Es geht ein Wehen Beherzigung [ Rosmarin ] |
Johannes Brahms (1833-1897) |
|
|
Mary Hines Anthony O
Daly The Coolin |
Samuel Barber (1910-1981) |
|
|
|
|
O Lord,
have mercy on me [encore] |
H. T. Burleigh (1866-1949) |
|
|
|
|
January 2000 |
|
|
|
Evening The pinetree Look, what
a mist Serenade The Alps |
Sergei Taneyev (1856-1915) |
|
|
Cantate Domino |
Hieronymus Praetorius
(1560-1629) |
|
|
Éloge Le brick |
Darius Milhaud (1892-1974) |
|
|
The Blind
Man Stood on the Road and Cried I’ve Been
in the Storm So Long Deep River O Lord,
have mercy on me The Gospel
Train |
Harry T. Burleigh (1866-1949) |
|
|
Hold On [encore] |
H. T. Burleigh |
|
|
|
|
June 1999 |
|
|
|
Prière du soir Ave verum corpus Le crucifix D’un coeur qui t’aime |
Charles Gounod (1818-1893) |
|
|
Zwischen perg und tieffem tal Innsbruck,
ich muss dich lassen Es het ein Baur ein Töchterlein |
Heinrich Isaac (c. 1450-1517) |
|
|
Sfogava con le stele Voi pur da me
partite, anima dura A un giro sol de' begl'occhi lucenti O Mirtillo, Mirtillo anima mia Ma tu, piu che
mai dura [ Che dar piú vi poss’io? ] [ Volgea l’anima mia soavemente ] |
Claudio Monteverdi (1567-1643) |
|
|
Full fathom
five The cloud-capp’d towers Over hill,
over dale |
Ralph Vaughan Williams (1872-1958) |
|
|
My spirit
sang all day [encore] |
Gerald Finzi (1901-1956) |
|
|
|
|
January 1999 |
|
|
|
Nochevala tuchka zolotaya Na son gryadushchii Kheruvimskaya pesn #1 [ Milost' mira ] |
Pyotr Tchaikovsky (1840-1893) |
|
|
Frühlingsahnung Die Primel Frühlingsfeier |
Felix Mendelssohn (1809-1847) |
|
|
Im Herbste Abendlich schon rauscht der Wald Im Wald |
Fanny Hensel (1805-1847) |
|
|
Vous êtes trop jeune |
Nicolas Gombert
(1495-1560) |
Que n'est elle
auprès de moi |
Pierre Certon
(1515-1572) |
Pleurez mes yeux |
Dominique Phinot
(c. 1510-c. 1556) |
Bonjour mon
coeur |
Philippe de Monte (1521-1603) |
|
|
My spirit
sang all day I praise
the tender flower Haste on,
my joys! |
Gerald Finzi (1901-1956) |
|
|
Kheruvimskaya pesn #2
[encore] |
Tchaikovsky |
Die Nachtigall [encore] |
Mendelssohn |
|
|
|
|
June 1998 |
|
|
|
The splendour falls on castle walls On Craig Ddu Midsummer Song |
Frederick Delius (1862-1934) |
|
|
Margoton va t’a l’iau La belle se sied au pied de la tour Pilons l’orge Ah! mon beau laboureur Les tisserands |
François Poulenc (1899-1963) |
|
|
Filli,
mirando il cielo (1a parte) Io mi distill'in pianto
(2a parte) Felice chi vi mira (1a parte) Ben ebbe amica
stella (2a parte) Che non t’ami, cor
mio [ Cor mio, deh
non languire ] |
Sigismondo d’India (c.
1582-1629) |
|
|
I Love My Love |
Gustav Holst (1874-1934) |
Ca’ the Yowes |
Ralph
Vaughan Williams (1872-1958) |
Swansea Town |
Holst |
|
|
Rise Up My Love [encore] |
David Nassau (b. 1985) |
|
|
|
|
January 1998 |
|
|
|
Thou knowest, Lord, the secrets of our
hearts What shall I do to show how much I love her? I was glad O Lord God
of Hosts |
Henry Purcell (1659-1695) |
|
|
Nicolette Trois beaux
oiseaux du Paradis Ronde |
Maurice Ravel (1875-1937) |
|
|
Swedish Songs |
|
Skogssång |
W. Peterson-Berger (1867-1942) |
Jag skall hålla mig i min hand |
Bror Axel Söderlundh
(1912-1957) |
Som stjärnan uppå himmelen så klar |
Hugo Alfvén (1872-1960) |
Stämning |
Peterson-Berger |
Det är ei tid |
Söderlundh |
|
|
Mata del anima sola |
Antonio Estévez
(1916-1988) |
Salmo 150 |
Ernani Aguiar (b. 1950) |
Te
quiero |
Alberto Favero (b.
1944) |
|
|
Die Nachtigall [encore] |
Felix Mendelssohn (1809-1847) |
|
|
|
|
June 1997 |
|
|
|
Adieu, ye
city-prisoning towers |
Thomas Tomkins (1572-1656) |
Music
divine |
Tomkins |
Sweet
Suffolk owl |
Thomas Vautor (1592-1619) |
O yes! Has
any found a lad? |
Tomkins |
[ Sleep,
fleshly birth ] |
Robert Ramsey (1590s-1644) |
|
|
Dieu! Qu’il la fait bon regarder! Quant j’ai ouy le tabourin Yver, vous n’estes qu’un villain |
Claude Debussy (1796-1869) |
|
|
When faces
like flowers float out of the ground Rise Up My
Love Brown Penny |
David Nassau (b. 1985) |
|
|
Napadly písně Večerní les rozvázal zvonky Žitné pole Vyběhla bříza běličká Dnes do skoku a do písničky |
Antonin Dvorak (1841-1904) |
|
|
Concord [encore] |
Britten |